DRAMATIC INTERPRETATION
FOR A STREETCAR NAMED DESIRE
SPEECH/DRAMA
|
0-10 Pts |
11-20 Pts |
21-25 Pts |
Accuracy |
Lines not written down and/or spoken correctly; Uses less than 12 lines |
Lines copied correctly but not spoken correctly; Uses more than 15 lines |
Lines copied correctly, no mistakes in speech; Uses precisely 12-15 lines |
Appropriateness |
Lines chosen randomly or with no respect to personality of the character |
Some lines appropriate but some appear to be chosen for reasons other than to reveal personality |
Lines clearly reveal personality traits of the character |
Justification |
Provides no justification for line sequencing or sequencing is inappropriate (e.g., chronological) |
Sequencing is appropriate but not creative in approach to speaking (e.g., simply take turns speaking) |
Line sequencing reflects thought; Has purpose of eliciting a particular response from the listener; Uses variety of speaking techniques (e.g., simultaneous reading, repetition of lines) |
Performance |
Not entertaining, no change in inflection or pitch of voice; Uses few or no movements; Does not produce intended response from listeners; One or both do not stay in character throughout; Little or no rehearsal evident |
Mildly entertaining but not all lines spoken with variance in pitch and inflection; Uses few movements or uses movements that aren’t linked to the lines; Produces some intended response from listeners; Some rehearsal evident |
Very engaging and entertaining for listeners, lines spoken with emotion, varying pitch and inflection appropriately; Movements clearly linked to the lines, uses variety of movements; Intended response is elicited from listeners; Well-rehearsed |
Cooperation |
Pair didn’t work well together; Didn’t share work; One person does too much preparation or performance |
Pair shared work, but simply split it up rather than working on each part together |
Pair worked well together and shared work throughout the project |